[This story was originally posted at silverwolf.substack.com]
The train jostled and Samantha opened her eye. Squall gray and keen, it scanned the compartment quickly. Its match had been equally striking, but it was more than ten years gone; plucked out by an ancient monster in an orchard on the Isle of Wight when she was a child.
Her elder brother, Simon, sat next to the window smoking a cigarette. He gazed out the window and watched the moonlit trees go by.
Samantha sat up, breaking Simonās concentration.
āWhat time is it?ā she asked.
āJust after midnight.ā
āSo that puts us in Transylvania,ā she stated.
āI suppose so. Weāre in the mountains at least. I canāt speak to the precise location. You should go back to sleep.ā
āIāll never be able to get back to sleep with the track winding so.ā
āIf thatās the case, I recommend the dining car. Iāve just come from there. A few night owls remain, and the atmosphere is sedate.ā
āSounds delightful,ā she said without a hint of enthusiasm. Samantha stood up. She took her dressing gown from where it hung next to the fold-away bed and put it on over her long, simple, white night gown. āWill you be joining me?ā
āI think not,ā Simon said. āI intend to get back to admiring the full moon and this fine brandy. Then Iāll turn in.ā
āThe dining car hasnāt moved since dinner, I trust?ā Samantha asked, opening the door to the compartment.
āAt least a hundred miles, but itās still two cars back.ā
Samantha forced a smile.
āOh, and Sam, would you mind taking care of my bill? I do hate to be hassled by the staff in the morning.ā
Samantha sighed and slid the door shut.
ā
The dining car was nearly empty. The lighting was low to accommodate the late hour, and there was a chill in the air. Samantha took a seat at the table near the center of the car. A waiter in an impossibly crisp tuxedo arrived and took Samanthaās order of chamomile tea.
Samantha opened the book she had brought with herāa slender monograph on ancient Greek curses that she had picked up at the book bazaar in Constantinopleāand pretended to read it while she surveyed the other occupants of the car.
Apart from the waiter, there were four other passengers in the car. Two Germans argued about something pertaining to grain prices on the continent, and across the aisle from them a Turk worked on his third cup of strong coffee. The fourth passenger sat at the far end of the car. He was young, mid-twenties, and was dressed in the style of an English academic. His forehead was plastered over by dark sweat-soaked hair. The table he occupied, meant to accommodate a party of four, was littered with papers and books. He had a small box in his hands, which he studied intently. Samantha had seen that look before, and it almost always meant trouble.
The waiter arrived with the tea.
āWho is that young gentleman at the end of the car?ā asked Samantha. āThe Englishman. Is he a professor?ā
The waiter paused, apparently caught off guard by the question.
āYes, I believe he is a professor. Regrettably, I donāt know the gentlemanās name. Shall I inquire?ā
āNo, no. That wonāt be necessary. Just an idle curiosity.ā
āVery good, miss. Can I get you anything else?ā
āNo, that will be all. Thank you.ā
The waiter left, and Samantha took a sip of her tea. She continued to observe the young professor. The box he held gingerly in his hands must have been covered in writing, as he frequently paused his inspection to make notes in a small journal and to consult the books on his table. He handled the box with care, leading Samantha to believe that either it or its contents must be dear. The man muttered to himself, as if committing something to memory. It was worse than Samantha had thought.
Samantha sighed. She set down her cup and saucer, stood up, and walked to the professor.
āGood evening,ā she said as she pulled out a chair across from the man and sat down.
āErm, good evening,ā he said, confused. His glasses lay on the table and he held the box he had been inspecting closely. āIām terribly sorry, but I have a great amount of work to do and I donāt have time for a social visit.ā He put his glasses on and gave Samantha a good look. He appeared to instantly regret his haste to dismiss her. She was quite an attractive young woman, despite her prominent defect, which was covered with a plain black eyepatch tonight. Her chestnut hair, while normally worn in a bun atop her head, was down in loose curls framing her angular face.
āGood,ā Samantha said, ābecause I have no desire to be social. I only want to determine the magnitude of the mistake youāre about to make and the difficulty of dissuading you from your planned course of action.ā
The man blinked nervously and swallowed hard.
āI have no idea what you are talking about. Iām simply conducting perfectly normal research of purely, erm, academic value. I donāt know what possibly could have given a girl such as you cause to think otherwise and to approach me at such an hour, so attired, in such a manner.ā
āIndeed?ā queried Samantha. āWell, I shall tell you what has raised this girlās suspicions. Firstly, you are working, at night, on a train. Secondly, your reference materials,ā Samantha motioned to the stacks of books, āare treatises on the folk magics of the Semitic peoples. Thirdly, the artifact that you have been studying so assiduously is covered with text,ā Samantha snatched the container from his hands, āah yes, in an Arabian script.ā
āGive that back!ā the professor shouted, drawing the attention of the other men on the car. He nervously looked around holding up his hands in surrender and spoke in a normal if forceful tone. āPlease,ā he stressed, āgive that back to me. It is quite old and the contents are very delicate.ā
Samantha extended her wrist, handing the box back to the professor. He took it back quickly yet carefully.
āI fail to see how any of that is suspicious. I happen to do my best work at night, and these are the tools of my trade, as it were.ā
āFair enough, but if nothing is out of the ordinary, why are you perspiring like Judas at the Last Supper? Please be honest with me. I am never wrong about such things. So, what are we dealing with, Professor? A curse, a magical amulet, an enchanted item?ā
āWho are you?ā he asked in his puzzlement.
āMy name is Samantha Greel. I may be young and uncredentialed, but I am an expert in those inexplicable and powerful phenomena which cause children to fear the dark, women to shun an evil look, and men to travel to Constantinople and stay up all night deciphering what they obtained there. So,ā she slowed to emphasize each word of her question, āwhatās in the box?ā
The professor sighed and rubbed the bridge of his nose.
āMy name is Jonathan Riverwood. I am a doctoral candidate, so I have not yet obtained my degree. My field of interest includes the folk beliefs of the Jews of the Austrian EmpireāI am conducting my research primarily in Pragueāand I became particularly interested in the legends of the golem. Are you familiar with golems?ā
āI havenāt had the pleasure.ā
āWell, to be brief, a golem is a creature made from earthābut most commonly clayāthat can be brought to life during a crisis and imbued with a purpose dictated by its creator.ā
āWhat kind of purpose?ā
āAccording to legend, when Jews have suffered from persecutionāpogroms and the likeāthey have created these golems to contend with their oppressors.ā
āContend?ā
āPhysically. Violently, really.ā
āAnd how is a golem brought to life?ā
āSimply put, a rabbi, or anyone else with requisite knowledge recites a series of incantations and places a slip of paper with a magical word written on it into the golemās mouth.ā
āDoes that box contain the magical word? Are you trying to create a golem?ā
āThis?ā asked Mr. Riverwood, raising the box in his hands. āGoodness no.ā
Samantha sighed with relief. At least she wasnāt too late this time.
āNo, this box contains a jinni.ā
āA jinni,ā she exclaimed, āas in, a genie?ā
āCorrect, that is the Anglicized term.ā
āWhat does a jinni have to do with golems?ā
āYou see,ā he said sheepishly, āitās the only thing I can think of that can destroy the golem I already made.ā